‘The House on Stilts’ by Paula Davies; Next Meeting; Summer Social; ‘A Gardener’s Dream Itinerary’

Paula Davies (aka Head Gardener) came to Pumsaint, along with her husband Iain (aka Assistant Gardener), to talk to us about the garden she has created in Ferryside, Carmarthensire, on the edge of the river Towy estuary.

In purely factual terms, the garden is a third of an acre in size, eight metres above sea level (when the tide is out!). It faces west, being exposed to south-westerly winds and considerable precipitation. The soil is sandy clay over Old Red Sandstone, neutral to slightly acid (pH 6.5). To Paula, however, the garden is much more about people, places and time; it’s about the past, the present and the future.

Turning first to the past, Paula told us that her maternal grandfather had been a professional gardener, and as a child, along with her three sisters, her weekends were spent helping in her parents’ new garden or being dragged around other gardens or nurseries. Paula’s passion was drawing and painting and, influenced by books such as ‘The Country Diary of an Edwardian Lady’, she wanted to become an illustrator, perhaps of botanical or children’s books.

Once at art college, Paula discovered textiles and surface pattern, and went on to become a very successful international designer first for interior products and then fashion, always focussing on floral design. Thinking about colour, texture, shape and scale, and using these to create rhythm, repetition, focal points and balance, is a similar process to creating a garden – which came later!

The part-time lecturing which Paul did alongside her design work brought her to Carmarthen School of Art. Here, without any career plan but with a lot of hard work, she rose to become Faculty Manager and met Iain her husband, a handsome photography lecturer. Together in 1998 they bought a run-down modernist house in Ferryside, which at that time came with only a tiny plot. Paula had pots of architectural plants she had moved around various rented accommodation until then. The plants were finally put in the ground, which was then covered in 20 tons of gravel. As far as the garden was concerned, job done – or so they thought.

Then along came their son, and as he started to grow, gravel no longer seemed like the best idea. In 2013 it became possible to extend the plot as the neighbouring farm was up for sale, so that it is now one-third of an acre. And this is the land as it was when they bought it – an overgrown pond, goat willow, reeds, flag iris, brambles, nettles, hogweed, dock.

Paula’s inspiration was a book called ‘The Lost Words’ by Robert Macfarlane and illustrated by Jackie Morris, itself a response to words associated with nature being dropped from the Oxford Children’s Dictionary to make room for words from the world of technology. Paula and Iain wanted their son to grow up knowing and experiencing acorns, conkers, dandelions, frogspawn, herons and kingfishers.

The first stage, after Paula’s father had helped clear the land with his chainsaw, was to bring in a digger to excavate the pond which was clogged with couch grass, and then use the spoil to create different topographies and habitats – the pond, damp meadow, wooded shade, dry slopes. There were all the practicalities to consider, such as light, circulation, viewpoints, usage; then where the sun and shade naturally fall, where to put places to sit, paths, steps and so on. Their son got involved as well, creating drawings for what he wanted from the garden – his drawing of a tree-house perhaps the start of his interest in architecture.

This was to be a garden providing food, water and shelter for wildlife. They planted a mixed native hedge (560 plants!) including species such as beech, blackthorn and guelder rose. They left some goat willow and added more trees for height – six oaks, a golden weeping willow and birch – ‘Snow Queen’ and ‘Trinity College’. The rest of the land was sowed to meadow – with different mixes for different areas. Again, job done – or so they thought. The first year, 2014, the annual wildflowers were pretty as a postcard; the next year it was largely perennials – oxeye daisies with some red campion, knapweed, self-heal etc., but a couple of years later it was mostly grass, despite all the yellow rattle seeds sown annually.

By 2017, it was time for a rethink, aiming for dense planting with variety and succession, and value for wildlife. This time the land was cleared slowly by hand (it took weeks!). In the first section under the oaks a liner was used, and the planting (woodland edge/dry shade) was done through that. Now liner is only used for the paths, and other areas , such as the bog garden, have been cleared section by section, using cardboard to cover the ground over winter before planting. Job done – or so they thought.

The pond is a natural clay-lined pond fed by a spring at the rear and rain water from the roof. It was planted up with marginal plants, floaters and oxygenators, but it was not without its problems – nutrient levels, algae and duckweed. Norfolk Reeds were planted to help filter the nutrients – but they are the bamboo of the water world! After they began invading the land, in 2019 work had to begin to dig them out. This work is still on-going – so job not done!

Then along came the pandemic and lockdown. The garden provided wonderful views while working from home, and technology offered online opportunities for connections with other gardeners – for example @myrealgarden with Ann-Marie Powell – and for learning such as garden design courses with Adam Frost. Meanwhile the battle with the Norfolk Reeds continued, now from within the pond, and the bog garden was planned and replanted, and pond marginals chosen for succession. Lockdown was also a time for reflection, and after 32 years working in education, the tables turned and the lecturer became the student.

In autumn 2021 Paula enrolled on an RHS course at Aberglasney Gardens – the RHS Level 2 Certificate in Practical Horticulture. This was harder than any other course she had done at a much higher level, but very rewarding. At the same time more areas in the garden were cleared with the help of a friend, also a student on the course. After the areas had been left over winter, they were planted up for dry shade and woodland edge habitats. The work continued in 2022 with clearing the steepest area, the upper bank, in the autumn and planting up for a sunny well-drained position in the spring with shrubs, perennials (including fruit bushes and other edibles) and bulbs.

Every section of the garden includes wild flowers, which are either a legacy from the meadow seedbank or sown by the birds. These include red campion, ribwort plantain, and ox-eye daisies, with the addition of native ferns (which were always there) and Epimedium x versicolor ‘Sulphureum’. You have to be selective and choose plants which will work well together.

After finishing the RHS exams, Paula enrolled in autumn 2022 on an online Garden Design Course with KLC School of Design, covering how to build a garden design portfolio – storyboards, moodboards, customer profiles, masterplans, elevations and perspective drawings. All this learning was also being applied at a practical level by creating planting plans for a specific situation or purpose – in this case a wetter slope out of sight of the house to be planted colourfully for the birds and the bees. The course also gives access to CPD with the Society of Garden & Landscape Designers covering the latest thinking in design and sustainable gardening. Through this, inspired by visits to Derek Jarman’s Prospect Cottage at Dungeness, and the Walled Garden at Knepp designed by Tom Stuart-Smith and Professor John Hitchmough, as well as Beth Chatto’s Dry Garden, Paula began to rethink the front garden.

This was designed to be drought tolerant, with sand and grit layered above the topsoil, and mulched with local cockle shells. Then, after the summer of 2022, the driest since 1976, came the wettest winter since 1766! Despite this, the drought-tolerant planting survived the floods. Paula realised that we need to learn to garden in a time of climate change with more resilient plants, more species and more natives; we need to think about the soil and the substrates.

So in the following autumn (2023), she began to rethink the areas under the oaks, and the woodland edge plant communities that she wanted to create. The process involves drawing up plant longlists for these areas, taking into consideration growth type, longevity and competitiveness, in order to create successful plant communities that include natives and well-behaved or controllable weeds. The lists are then refined to reach more considered plant combinations which take into account colour, texture, form etc, and which ensure interest throughout the year as well as good ground coverage to retain moisture and avoid weeds or unwanted self-seeders.

Paula and Iain got involved with garden opening through the Ferryside Garden Crawl starting from 2018. From there connections were made with the National Garden Scheme, for whom the garden has opened since 2024 with 186 visitors raising £1100 for NGS charities, and 272 visitors in 2025. Through the NGS Yellow Book, the BBC Gardener’s World programme got in touch, and came to film the garden in May 2024, which was a wonderful experience, and provided great exposure for the garden when aired.

For a number of years Iain had been encouraging Paula to enter the B&Q Gardener of the Year competition, and in 2024 she finally did so in the ‘Most Sustainable Garden’ category – which she won!

In June 2024 photographer Sarah Cuttle had visited the garden to take photographs which were then used by Gardens Illustrated Magazine in an article written by Alys Fowler. That was when Paula realised how much she and Iain had achieved by attracting so much wildlife and creating a magical place for their son to grow up, knowing all the ‘Lost Words’ and having seen them in the garden.

For the future, Paula plans to continue to work with wildlife at the heart of the garden, completing the Garden Design course and implementing the learning. As she now knows, a garden is never finished – and the job is never ‘done’!

Members would be invited to visit ‘The House on Stilts’ on 31 May at 2pm, details to follow by email.


Next Meeting

Cothi Gardeners’ next meeting will be held on Wednesday, 18 June at 7.30 pm. Our very own Mair Evans will be giving a talk on ‘Pelargoniums and Geraniums’, which is bound to be fascinating, and as a bonus she will be bringing along plants for sale!


Summer Social

Members, save the date! On Wednesday, 20 August Cothi Gardeners’ summer social will take place at The Plough Inn, Felingwm. We will be able to order delicious pizzas of our choosing, and hear a talk on dahlias by Joseph Atkin, owner of The Plough Inn and former Head Gardener at Aberglasney Gardens. A real treat in store!


‘A Gardener’s Dream Itinerary’

A recent article in The Guardian newspaper has highlighted how lucky we are to live where we do. It is entitled ‘A Gardener’s Dream Itinerary: a Tour of Carmarthenshire, the Garden of Wales‘ and is a very nice write-up of gardens and a nursery we know and love, and you may just spot a reference to our Summer Social venue!


‘A Year in Aberglasney Gardens’ by Nigel McCall

Nigel was originally a landscape and wildlife photographer, then about 11 years ago, looking for a local project, he realised that there was one on his doorstep in the form of Aberglasney Gardens. An agreement was made that if he could go into the gardens at any time of the day to take photos, he would share them for publicity purposes. The result is also his book ‘Aberglasney Gardens – A Calendar Year’.

Aberglasney is within the parish of Llangathen and was derelict and unloved until 1995 when a charity (the Aberglasney Restoration Trust) was set up especially to save the property. Fast forward to today and with the help of volunteers it is utterly fabulous – the gardens are constantly changing with new and exciting planting schemes, which makes them a photographer’s delight.

The first photographs we saw showed how the house sits within the land and then an early map describing the gardens without the buildings. We then began the year in photographs and saw the gardens in snow in December, with Viburnum giving colour and scent, three different varieties of Witch Hazel, and Christmas Box.

Nigel constantly looks to find the best version possible of each subject by adding small but necessary additions such as a flower with a spider web or a bit of moss attached. He takes many photos of a subject from all different angles and in changing light before being satisfied with the result. He initially looks for a suitable background before starting and mostly will take the photos from ground level, as low as possible, with a telephoto lens. The gardeners are very useful and will happily point out things of interest.

The first flowers (Crocus and Iris) to appear will be in the Alpinum area which gets sun throughout the day. Pictured opposite are a beautiful Hellebore with snowdrops captured in the Alpinum in February this year.

Nigel uses a process called focus stacking where he programmes the camera to take a number of shots at different focus points through the image to result in control both over the plant and the background. The background will be blurred so that there will be nothing distracting behind the image, it will take 15 to 30 photos rapidly to result in a good depth of focus of the image with a blurred background. By February there will be Pulmonaria and Willow coming to life, though this year the Camellias did not flower until February.

In March, there is more happening in the garden with Cuckoo flowers, Primula, Scilla, Cornus, different varieties of Narcissus and Crocus, Camellia, many types of Hellebore and more, and the woodland area is beginning to come alive.

This is a new look for the spring Cloister Garden in 2025. A lovely mixed Tulip border on the mansion terrace with Tulipa acuminata amongst the daisies & dandelions in the formal grass areas.

At the end of March and into April, there will be more Camillias, Prunus and Magnolia joining the displays along with Tulips and Fritillaries. It is unfortunate that the Magnolias will often be at the mercy of the weather and some varieties will not be seen every year (and some very rarely!). In April the butterflies will begin to appear to make the flowers even more beautiful and enhance any photographs. 

Nigel explained another photography technique called high dynamic range which accounts for the fact that the camera sees the world very literally and deals with the tones of colours (i.e. dark through to light) very differently.  A high dynamic range shot will take five shots starting with the area which is darkest then  through to the lightest and the five shots will merge on the inbuilt computer to result in the best version of the image. 

A wide angle lens is not used very often because it will lack definition and push the image away, but if you can get as close to the subject as possible it will improve the shot. Nigel tries to get combination photographs where possible and will have to spend quite a long time to get the shot just right, and again the background  has to be correct when considering colours and light. The Ninfarium at the back of the mansion provides cover and a different atmosphere for plants of a more exotic nature and different types of Orchids can be found. 

During several sections of the talk we were shown pictures of the gardens with musical accompaniment. We saw photos of  the latest work in the garden including the Aviaries which are in use for growing Squash and other vegetables. 

This is the display of Wisteria on the wall of the old cowshed with planters of daffodils. The photograph was taken on 17 April this year, when the wisteria arch would soon be coming into bloom.

Into June & July – roses are of course popular and can be found throughout the garden. Some varieties will continue until quite late in the year and there is a definitive rose garden which includes a beautiful rose arbour. The wildflower meadow no longer exists unfortunately, largely because they can be such a lot of work to get them at their best. 

Flowers of the Bromeliad, which is an epiphyte, will hopefully appear by September. This is a favourite month for Nigel when leaves will change colour, and Japanese anemones, vines  (particularly Vitis coignetiae ‘Crimson Glory’) and Hydrangea can be seen. September and October are excellent months for photography when the light can have a warmer hue and reflected light will be a useful addition to the photos. 

By October, Cyclamen and Cornus kousa (with their crimson fruits) are coming through and plants in the Alpinum also. One of the last flowers to be seen, which is actually a fruit, is Clerodendrum trichotomum or Harlequin glorybower. After the talk, Nigel answered any questions from the audience. He had also brought along for sale copies of his book ‘Aberglasney Gardens – A Calendar Year’, full of his stunning photographs.

Carol thanked Nigel for giving his very interesting talk and sharing the beautiful photographs which will hopefully inspire us to get into the garden with the usual tools plus a camera! 


Exciting News – Gelli Uchaf on BBC ‘Gardener’s World’!

On Friday, 18 April at 8pm BBC2 will be showing the next episode of ‘Gardener’s World’ which will feature a clip of Fiona and Julian’s garden Gelli Uchaf Garden showcasing their daffodils. If you can’t catch it on Friday, the programme is repeated at 9am on Saturday, 19 April. For those in the UK and with a TV licence you will also be able to watch it on iPlayer.

You can read about the filming in Julian’s blog post about daffodils, spring and lambing.

As a reminder, in 2025 Gelli Uchaf garden will be open for the NGS on the following weekends, for either 10.30 am or 2.30 pm arrival times:

April 19th and 20th
May 24th and 25th
June 14th and 15th
July 5th and 6th

If you’d like to visit the garden in 2025 on one of the opening dates given above, then you need to email thegardenimpressionists@gmail.comor phone: 01558 685119, giving at least 24 hour’s notice, to book a visit.


‘Bees Are Amazing!’; New Committee; April Meeting

‘Bees Are Amazing!’ by Sandy Halstead

Sandy has been a beekeeper for eight years now, and has never lost her enthusiasm for them, in fact it plainly just increases.  She began by explaining that in this country we have the North European bees, which used to include the black bee species, although these have now died out, along with some other previously commonly found species. We need to conserve bees now, their numbers in general are declining and they are amongst the most useful pollinators.

Within a hive, the different types of bees are workers, drones and of course, a queen. At the beginning of the summer season, the hive will increase by 100/day and by July, by 2000/day. In a healthy hive there can be anything from 20,000 to 80,000 bees and a single queen will be the sole egg layer. Royal jelly, which is a nutrient rich solution derived from propolis, is fed to the queen and the larvae by the workers although the queen will only ever be fed this for her life. Queen cells are not made in the same way as the worker and drone cells (which are hexagonal), they are larger and hang generally at the bottom of a frame. When the queen emerges, she will have a stinger and, if she should need to use it, will not die as the other bees do. If more than one queen emerges from the hive they will fight until one of them dies.

Drones are male bees and they do no work and expect to be fed by the female worker bees. Their only job is to  mate with a virgin queen, which they do in mid-air during a nuptial flight, and they die shortly after mating. They are bigger than workers, their cells are larger and they cannot sting. Multiple drones will mate with the queen, ensuring the longevity of hive numbers. She will store their sperm in her spermatheca for future use. Whereas the worker bees have specific jobs to do right from the point where they emerge from their cells, drone bees don’t do anything except look out for a passing queen but on mating successfully, will leave their sex organs inside her and die, so it’s not such a happy outcome for him. When the queen has had her mating flight and returns to the hive, she will be cleaned and fed and her egg laying duty will begin within two or three days. She also plays a crucial role in regulating the colony through pheromones, which will determine the temperament of the bees and influences social behaviour. 

The workers will emerge from their cells after nine days and their first job will be to clean their cell, ready for re-use. The process of growth will take approximately 21 days from the egg, which grows  into a larva then a pupa and finally an adult. They will then for two or three days be employed in housekeeping duties, after which they will be a nursery attendant, taking any mess away, then an attendant to the queen. After this a worker will be a wax maker then a guard bee (warding off any possible threats) and finally a honey maker, accepting nectar from foragers, putting it in a cell and capping it off. After this the honey will never deteriorate. Foragers will collect pollen, water, nectar and propolis which comes from trees and they will carry in the collected pollen on their legs. 

Foragers will communicate sources of food by doing a “waggle dance” which the other bees can interpret as to how far, which direction etc. 

Swarming of bees from the hive is a natural solution to make another colony, which is likely to be if the hive is overcrowded and there is an abundance of food. .A new queen will have been made and the old queen will take a proportion of the bees off to find another home; scout bees will be sent off to look – it could be in a tree initially and then they’ll find a small opening somewhere, with accessible water nearby, maybe in a wall where they can establish another hive and start to make wax for the new cells. The new queen will remain in the original hive. 

Worker bees will look constantly for sources of forage, starting in January with snowdrops and making the most of tree pollen. The bees will put different types of pollen of diverse colours in each cell. 

Sandy finished by answering questions on bees:

  • There is a good amount of reading on the subject available; also there is a novel “The Bee” which was recommended by one member of the audience.
  • Life span of bees – winter bees will live for around 6 months but in the summer, because of the workload, bees will only last 6 to 8 weeks. 
  • Construction of hives – generally they are made from cedar wood because it weathers well, but there are now polystyrene hives, which are warmer.
  • Wasps – will construct their own nests or nest in a hole in the ground, excavating quite large amounts of soil.
  • Catching a swarm – can be done more easily if they are in a tree, ideally the queen is caught first so that the rest of the bees will follow.

Sandy was thanked for a very interesting talk and slide show, which everyone enjoyed and which sparked quite a bit of discussion afterwards. 


Following the AGM in February, Cothi Gardeners’ Club has a new Committee:

ChairTracey Parkin
TreasurerRob Usher
SecretaryCarol Cook
Programme Co-ordinatorCarol Carpenter
Website AdminSheena Wakefield

Members: please remember that Sheena welcomes contributions for the website or ideas for new content. You can also view upcoming club talks and external events on the website.

As a reminder, the next talk on 16th April will be ‘Aberglasney: A Calendar Year’ by Nigel McCall. Nigel’s book of the same name will be available for purchase (£20, please bring cash) – it features his beautiful photographs of the gardens through the seasons, with plant identification by Joseph Atkin (former Head Gardener at Aberglasney). The book’s foreword has been written by Chris Beardshaw. Note that the meeting will start 15 minutes earlier than usual, at 7.15pm.

Gardeners’ Question Time with Richard Bramley and Mabel of Farmyard Nurseries


Richard was well-known to many of us from previous entertaining talks at our meetings and from visits to his fabulous nursery in Llandysul. So after words of welcome to members and visitors from Dawn, our Chair, without further ado the audience launched into their questions. 


First up was Sandy, who asked how the changing climate was affecting Farmyard Nurseries, and how his business can help gardeners in that respect. Farmyard Nurseries is moving to peat-free compost, which is challenging. So far they are using peat-reduced compost (30% peat), although one of the issues is lack of government guidance. As much as possible is recycled, and bonfires are now banned. Generally, it would appear that the trend in the UK is for milder winters and wetter summers. Having said that, we all remember the fortnight-long cold spell in December 2022 when the temperatures dipped to -15! Richard lost many plants he wasn’t expecting to lose, including daffodils, snowdrops and Spiraeas. In the end he decided he couldn’t safeguard the Sarracenias, they would have to take their chances, and of all things they survived! So they are monitoring and adapting as they go. Richard is worried about water though. The nursery’s borehole is small; they have recently expanded to four water storage tanks, but that is really a drop in the ocean of what they need.

Talking of Sarracenias, Dawn had recently heard Richard speak on ‘On Your Farm’ on Radio 4 where he had mentioned a special feed for his pitcher plants when there are not enough flies about. Richard noted that there had been fewer flies about this summer than usual. A Sarracenia needs only about 3 flies to be viable but under normal circumstances they can consume many. One thing that some people do is to drop a fish food pellet into the pitchers. Richard uses a Floranid grass fertiliser which is very mild (2 teaspoons diluted in water in a washing-up liquid bottle) and a squirt into each pitcher.

Fiona brought up the subject of ground cover as a means of minimising bare soil and reducing weeding. What would Richard recommend? He agreed that bare soil just encourages weeds. Persicaria is a genus which has many good ground cover varieties. A less well-known form with small leaves is Persicaria vaccinifolium with a mass of pale-pink flower which goes on for months (and is also very effective in pots). For shade Chrysosplenium and also Pachysandra are very useful. Verbena corymbosa ‘Gravetye’ is good in sunny spots. There is also the tiny-leaved Gunnera magellanica for sun or light shade and damp soil. Ground-cover shrubs there are a-plenty: Potentilla, dwarf Hebes, Cotoneasters, Hydrangeas… There are over 200 Hydrangeas in the woodland garden at Farmyard Nurseries, which have really come into their own this year. You can also, depending on your soil,  consider alpines as well as herbs (marjoram and oregano varieties are excellent). Richard uses mint in his wildflower meadow, as it competes with the grasses and the flowers are loved by bees.

Another question related to the depth at which new shrubs should be planted. The general advice is to plant them at the level they were at in the pot. But what about roses? We were all agreed that we no longer knew what the advice is about roses, as it seems to have changed. It always used to be that the graft point or union should be above the ground – now you sometimes see advice to plant it 4” deep. Good advice can generally be found from reputable rose growers such as David Austin and Peter Beales. Received wisdom does change over the years – delicate and very accurate rose pruning is now often replaced by using hedge cutters. A tip from Richard is never to prune your roses hard before March (before that your hard-pruned roses may be affected by winter die-back).

Ruth had grown some Echinacea plants from seed which were now a good size, and she was wondering whether to plant them out now or wait until spring. Richard warned her that generally Echinacea don’t like it in this part of the world, although you can sometimes get away with the standard E. purpurea or alba (which happily Ruth’s are). The essential thing is keep Echinacea dry through the winter as it doesn’t like the combination of wet and cold.

On the subject of seeds – there was a question about hollyhocks and whether the stems should be collected and hung up to dry inside, or whether to leave them on the plants in the garden. On clarifying that the seed was green, and therefore not yet ripe, he recommended both courses of action. It seemed to be generally agreed that for some plants such as hollyhocks and also grasses that it works to cut the stems with the seedpods still attached and lay them down directly on pots or on planting trays/guttering with perlite.

Julian asked Richard to share his two greatest successes and his worst failure during the life of the nursery. Richard replied that the very best thing to have happened was his daughter Ruth, and the worst thing that had happened was the long Covid that Ruth had suffered from, destroying her future as a potential Olympic athlete. The silver lining was that Ruth had turned turned to plants during that difficult time, in particular house plants, and now she runs that part of the nursery. The second best thing to have happened was getting to Chelsea on the first attempt! If he is honest, there had been lots of highs and Richard would do it all over again. One of his favourite things is to wander around the garden and nursery of an evening when everyone has gone home, and to see what has been achieved. Richard’s staff are a loyal and dedicated team, and he recognises that he owes them so much.

Next, a question about a damson – it’s a shrub variety, about 6’ high, from the Midlands. In six years, it has not produced a single damson! Richard said that stone fruits can be slow to get going. He asked whether it flowered well (it doesn’t), and flowers late, after the apples. Richard’s suggestion was to make the damson think that it’s dying, by chopping a circle around its roots. The other alternative is to to ring bark it, the ring being half-an-inch wide. A follow-on question involved two saplings, a wild plum and a sunset cherry, which had been given to a member in pots. Where should they be planted? Somewhere with plenty of sun and not too windy. Still on the subject of damsons, a questioner had a damson which bears very little fruit, but two seedlings have arisen nearby – would they be likely to fruit? Over seedlings you have no control, so theoretically they might. The closer to the species they are, the more reliably they are likely to fruit.

Sheena mentioned her trouble getting Japanese anemones to establish in her garden. Richard replied that it seems to be pot luck with Japanese anemones – they either like you (when they can grow very strongly) or they don’t. Erigeron karvinskianus is another. 

Gordon asked about a 1’-high Eucalyptus with a single stem that he had bought for £3 – how could you resist?! The problem with Eucalyptus, particularly on a single stem, is that they have a tendency to blow over. To keep the juvenile foliage, you should cut it back hard every year, making it less likely to blow over. When cut back like that, Eucalyptus can make a great evergreen screen. Plants that generally do well in the damp soil in Wales, and can be good screens, are willows, Cornus, birch and poplar. 

Carol had a question about her young ‘Bardsey Island’ apple tree, on which the lower leaves are developing brown and blotchy patches. She also has another Welsh apple, ‘Pig aderyn’, which is smaller but is doing better. The ‘Bardsey Island’ is planted close to a soakaway, and Carol wondered whether that might be affecting it. Richard thought not, unless the soakaway was making the soil very damp. He noted that smaller trees will often establish better. ‘Bardsey Island’ is a superb apple though. He added that he had quite a number of them, and they hardly fruited. The damp climate of Wales very often led to canker in apple trees. There was some debate about whether you can, or cannot, grow apples in Wales. The Club’s previous speaker in September had definitely been of the view that you can; Richard’s view is that you can’t – but sometimes you can!

Sandy asked about tall plants for a lined pond which she has recently made deeper.  Options suggested were Iris, Typha minima (a miniature bulrush), plants in the Scirpus family, Pontaderia cordata, and even Equisetum. Apparently dayliles and Schisostylus also do will in water.

The final question came from Ruth, who asked about some young rhododendrons she had planted in a bed where Verbena bonariensis were becoming quite prolific. Richard was of the view that the rhododendrons wouldn’t suffer, as the Verbena are light and airy, and rhododendrons like shade, but that Ruth should just keep an eye on them. He did note that V. bonariensis will seed everywhere. Also, the young rhododendrons may well have come from Holland where they would have been forced into bud, so they may naturally pause flowering for a year or two. In fact, it would be a good thing to debud them next year, to ensure that they grow into good, strong bushes.

Farmyard Nurseries organise a Gardening Weekend every winter in Llandysul. In 2025 it will be organised for the days around 16 February. It’s a fabulous event that certainly brightens up a dreary time of year with talks, a central display and plants for sale. A date for everyone’s diary!

That brought to an end a very entertaining and informative hour, during which Mabel had befriended anyone in the audience she suspected of harbouring food about their person! Richard was thanked by Dawn and by an enthusiastic round of applause from the audience, and everyone made a beeline for the many beautiful plants for sale that Richard had brought to the meeting and arranged in a mouthwatering display.

Welsh Apples by Carwyn Graves

Carwyn has been involved with the history and growing of apples for many years now, and has written books on the subject, firstly “Afalau Cymru”, also published in English as
“Apples of Wales”. This was in parallel with a book which records the first National collection of Welsh apple varieties, and both books were best sellers within the first 3 months. He then published a book on Welsh food stories and the more recent story of the Welsh landscape. This begins with the fortunes of orchards here and the fact that so muchof the environment has been lost to industrialisation.

We started with a quiz about the names of varieties of apple that have been and, to some extent, are still grown in Wales. Not sure how well we did here with our answers, but some of the names made the audience laugh and we found that some of the unlikely sounding ones actually were apples!

There are apparently over 7000 known varieties of apple in the world, but the currently commercially available apples were all bred originally from the Golden Delicious, Red Delicious and Cox, and unfortunately most on the supermarket shelves were picked around 6 months ago. The most prolific apple producers in the world are USA, Poland and China. Historically and even recently, Wales has not been very closely associated with apple production – Lynne Yates mentioned in her cookbook (2010) that “Wales has never produced much fruit as the soil conditions are not suitable”.

However, in the Mabinogion (combining Celtic mythology and Arthurian romance, written 12th-13th century), Queen Rhiannon at her wedding feast orders her husband’s men to “wait outside in the orchard”. There are many Welsh names which can be linked with the word apple, for instance Afallon (or Avalon) meaning place of fruit/apples. The Bishop of St Davids in 1326 had gardens and orchards and many ordinary people had fruit trees and bushes. There is a record of 2 women in 1390 in St Asaph who had 2 orchards.

After 1536, following the Act of Union then the dissolution of monasteries, it seems the rich became richer and nobles of the land were able to invest in fruit production; there is a record from 1618 documenting the growth of lemons, oranges, figs, nectarines etc which had not been grown in Britain previously. Apple trees by this time were being distinguished between sweet and sour apples and it is recorded that a quantity of sweet apple trees in fruit were worth 15 pigs!

In the 1700s small plots were often available to cottagers for growing veg, flowers, herbs and 5 or 6 apple trees, and gardens were beginning to be seen as places of pleasure and gentle recreation. A land use survey around this time recorded that, of 850 acres in Brecknockshire, 350 acres were used for apples. Around this time, apples were embedded within Welsh culture via place names and many allusions were being made to fruit in folk songs and poetry.

The First and Second World Wars obviously had a great effect on fruit production and many trees were grubbed out to provide land for the most necessary vegetables – if you had a couple of apple trees in your garden they must have been highly prized.

It is not true that apple trees will not survive in very wet areas, neither is it true that the trees must be correctly and frequently pruned. The Bishop’s Palace near Carmarthen has a very old orchard, still flourishing and producing, and yet when the River Towy floods, the waters can often be seen half way up the confines of the walled garden.

To conclude the talk, a discussion was held around the loss of skills within horticulture and fruit growing. The Welsh government is taking small steps to address this and there are some subsidies for orchards plus encouragement of the use of apples for their nutritional value, but some joined up thinking is required around production and subsidies and how to use the food being produced. The government does need to facilitate and not lead because there are people outside of government who have the knowledge required.

Several questions were put to Carwyn about pruning and he encouraged not to overprune and certainly not to prune in the first year. Also, when did the idea of pruning begin? – apparently the Romans knew about it..

We really enjoyed the talk; Dawn thanked Carwyn and a raffle was held for one of Carwyn’s books.


August Social

The Cothi Gardeners annual social, hosted by our Chair Dawn, was held on an overcast, but fortunately not rainy (at least not until the end, when the remains of Storm Ernesto arrived!) day, allowing us all to make the most of the wonderful garden in Ffarmers, and the activities arranged. Plenty of members brought along produce or flowers for the various competitions, and the table was laden with savoury delights and delicious cakes for us all to tuck into.


After much conversation over the food, the results of the raffle and the competition prizewinners were announced. There were a total of six prizes for the raffle, which also benefitted the Club’s funds.


Certificates and medals were awarded for the best exhibit in each category, ably judged by guests Angela and Martin. Rob won the prize for the largest weed (by definition of being a plant in the wrong place, not an undesirable plant). Jenny claimed the prize for the best three runner beans, and Honour for the best flower arrangement and also single rose. Amanda won for best single dahlia, and the best potatoes. 


After that Dawn gave us a tour of their garden and land bordering the River Twrch and encompassing SSSI areas including swathes of Devil’s Bit Scabious, the food plant of the Marsh Fritillary butterfly, in perfect flower when we visited. I think that everyone was impressed with the natural beauty of the site and what Dawn and Nick had achieved in removing the overgrown brambles from much of the land, as well as creating a lovely more formal garden around the house and barns.

There was also an opportunity to try our hand at archery, with Nick a very friendly and able instructor. Let’s say that some of us were better than others, but everyone thoroughly enjoyed the experience. 

We all enjoyed meeting Dawn and Nick’s lovely dogs, who played a full part in the proceedings and many balls were thrown during our walk. All in all it was a fabulous day out, and the raffle and plant sale (thank you Rhoslwyn Plants) raised welcome funds for the club. 


‘Plants with a Past’ – a few stories about plants, people and places – by Kari-Astri Davies


It was a pleasure to welcome back Kari to talk to Cothi Gardeners again, this time about plants and their history. Knowing the history of the plants in your garden encourages you to spend more time in your garden, enhancing the experience.

A good place to start is Alex Pankhurst’s ‘Who Does Your Garden Grow?’ published in 1992. In Kari’s own garden, she discovered that the tall, double Delphinium ‘Alice Artindale’ was named by John Artindale from Sheffield for his wife, and that Campanula lactiflora ‘Prichard’s Variety’ was bred by James Prichard from Christchurch, now Dorset but then in Hampshire.

The first record of British gardens as places of pleasure is from 1260, but only for the nobility. It is not until the 16th century that garden flowers can be found along with vegetables in the grounds of tenant farmers or yeomen – as can be seen at the restored Bayleaf Mediaeval Farmstead in West Sussex dating from 1540. In 1597 John Gerrard published his ‘Herball’ where cottage gardens are referenced.

Paintings are another reference source for finding out what plants were around when. Aquilegia, a native plant, was certainly known in gardens in 1503, when a Flemish painter depicted double aquilegias in a vase among other flowers. Double A. ‘Nora Barlow’ was named after a grandchild of Darwin who studied plant biology and genetics at Cambridge. After leaving Cambridge she carried on her cross-breeding work. She herself didn’t particularly like her namesake, but passed the plant on to the nurseryman Alan Bloom for propagation and distribution.

Gertrude Jekyll, who designed over 400 gardens, not all with Lutyens, said ‘Why do we always have to go after the new?’ In 1904 she published ‘Old West Surrey’ describing traditional rural life where she lived, including illustrations of gardens. Working at the same time, Helen Allingham (1848-1926) was an illustrator and painter. A flower that pops up in her pictures of cottages and their gardens is the hollyhock. But its history in illustration goes back to at least 1486, in Herat, Afghanistan. By the 1600s big double hollyhocks had been bred. In Saffron Walden, Mr Chater (1802-85) was famous for his double hollyhocks of which he had 117 different varieties. Then along came hollyhock rust from South Africa, putting paid to his stock (fortunately he grew other things as well)! Helen Allingham’s painting of Gertrude Jekyll’s garden shows that it also included hollyhocks. The illustration on the cover of the Metro-land guide (Metro-land was the name given to the housing development – about 3,500 houses to the north west of London that took place between the two world wars) showed a large house with hollyhocks in the garden. Hollyhocks were also depicted on a well-known Sanderson fabric design.

Rachel Ruysch (1664-1750) is a Flemish painter famous for her still lifes with flowers, depicting among other things aconites, ranunculus, tulips, hyacinths and carnations. At one point double hyacinths were more expensive than tulips, and there were many more varieties than there are now. In the 1790s a bulb of the variety called ‘gloria mundi’ cost the equivalent of £30 in today’s terms. It was the stripes in tulips, caused by a virus, that led to the excesses of tulip mania. Striped tulips can be seen on Meissen china from the 1740s. William Pegg’s designs for Royal Crown Derby in the early 19th century also included striped tulips. By the early 20th century a Dutch company had bought up Flemish tulip stock, and started breeding solid colours giving predictability – the Darwin tulip. A Darwin variety surviving to this day is ‘Bleu Aimable’.

Florists’ societies had flourished in the 18th century, exclusively male and meeting in pubs, devoted to the growing of a specific flower, eg pinks. Even though the societies gradually died out, flower showing continued, and in 1804 the Royal Horticultural Society was founded. Its first show was in 1827, to which 3,000 people came. The population was growing, and so was the middle class. Greenhouses were no longer the prerogative only of the upper classes, indeed by the end of the century they had moved on to wilder gardening. Pelargoniums, of which Charles Dickens was very fond,  required greenhouses, and a particularly fine red called ‘Paul Crampel’ was bred in 1892 which is still widely grown today. 

Dahlias were first recorded by Hernandez in 1570 in Mexico. They appeared in Europe when some  tubers were sent to the Director of the Madrid Botanic Gardens in 1791. Originally there was confusion about the name – Dahlia or Georgina (which it is still known by in Eastern Europe – ed.)  – but Dahlia won, and it is of course a plant widely grown today. Treseder & Son of Cardiff were responsible for breeding the very well-known D. ‘Bishop of Llandaff’ (along with Pelargonium ‘Lord Bute’). 

Sweet peas are another flower that is still with us. The original sweet pea was first noted around 1700, of which ‘Painted Lady’ is probably a sport. Henry Eckford (1823-1905) bred 214 of the 264 cultivars known in the 19th century. One of those was ‘Dorothy Eckford’, still grown, white and quite small flowered. The variety ‘Prima Donna’ (pale pink) gave rise to the Spencer sweet peas – bigger, frillier with longer stems for showing, but with less scent.

Although roses are generally associated with France, it was the Dutch who first dealt in roses. R. centifolia, the cabbage or Provence rose, was developed by the Dutch. It is well-known that Josephine Bonaparte had at least 200 different cultivars in her garden. One of the main rose nurserymen then was Descemet, most of whose stock was acquired by Vibert, who greatly increased the number of cultivars available. In the 1800s in the UK Henry Bennett, a cattle farmer from Wiltshire, diversified into rose breeding and moved to Middlesex, being responsible for many of the new hybrid tea rose varieties of the time. Constance Spry started collecting old roses when she saw varieties disappearing – one of her favourites was R . ‘Mme Isaac Pereire’, a rose originally bred by Garçon in France.

In a fast-paced, wide-ranging and much appreciated talk, Kari covered many other plants and their stories including wallflowers, auriculas, lupins, anemones, daffodils and snowdrops. She started and finished by quoting from Plant Heritage, formerly known as the National Council for the Conservation of Plants and Gardens: ‘If garden plants go, a tantalising slice of social, cultural and horticultural history dies with them’.

Kari had brought along a selection of some of her favourite plants, including sweet peas (which scented the hall throughout the evening) and pelargoniums, including P. ‘Paul Crampel’, in the centre.


The Flower Garden by Sara Redman; Upcoming Club Events

Sara grew up on a farm and worked for the council for 30 years but had always been a keen gardener with an award winning allotment, and then she bought her smallholding, where she now lives, in 2015. The house needed renovating, and she spent 2 years preparing the ground for the Flower Meadow, which opened as a business in 2017 when she joined all the local markets to start selling flowers.

There are now 2 polytunnels (with another to come), and a greenhouse (with another on the way). The smallholding is totally organic, with ducks for slug control and she makes all her own compost. She only does any serious weeding twice yearly, uses no plastics and sticks to a permaculture system. She only attempts to grow flowers that are happy in the smallholding and feels it’s a waste of time trying to bring on unhappy plants. She joined the “Flowers from the Farm” organisation in 2018 which is a group of (nationally) like-minded flower growers which you can find near you on their website .

The flowers from Sara are not posted, and can only be bought either from the farm (from £15 per bouquet) or from events she attends; she has done demonstrations at the Royal Welsh show, and the RHS show in Cardiff although there are sadly no more RHS shows in Wales now. She did the Chelsea Flower Show once, but says never again!

There are flower workshops at the smallholding and the premises are also used for other types of craft sessions. Supplies for weddings are a big part of the business (and weddings can be held on the smallholding) but with a caveat that the flowers are returned to the farm afterwards thus reducing waste. When arranging flowers, foam is completely avoided and chicken wire is used. Sometimes she makes whole flower installations for weddings.

There are Christmas wreath making sessions and some sessions for children. There is a wild flower meadow at the farm which is just cut down by hand once yearly, otherwise it needs no attention. She keeps bees (they must think they are in heaven!) and donkeys.

Lots of types of dahlias are grown and planted twice as deep as normal and are unusually generally left in the ground in the winter, although in the last wet winter, about half of them were lost. Dahlia plants are surrounded by sheep’s wool which deters the slugs. Although the farm is on a hill, it does get quite wet.

She uses the greenhouse for growing plants from seed and recommends only using fresh compost for this as it loses its nutrients. She starts growing sweet peas (her favourite flower) in the greenhouse in September but only grows them on in the polytunnel as the site is windy which they can’t handle. She also uses thee flowers from shrubs which are useful for greenery in arrangements – Eucalyptus is really handy and is easy to grow from seed.

Making compost is never-ending and she uses a concrete mixer to combine ingredients with alpaca poo which is brilliant because it can be used straight from the point of delivery.

Dawn thanked Sara for an entertaining and useful talk and encouraged us to make a note of the Open Day at the Flower Meadow which happens on 10th August 2024.


Upcoming Club Events

Members are reminded that our club summer social will be on Wednesday 21st August, probably (by general consensus!) at Dawn’s house – Cae Caradog, Ffarmers SA19 8NQ – see pictures below. Please think of any activities we could do outside and remember to bring food to share.

Our October meeting, on 16th, will be hosted by Richard Bramley of Farmyard Nurseries and he will take questions, following the format of the radio programme “Gardeners’ Question Time”. So please make a note in advance of any problems (garden related!) that you would like a solution for.


Ten Ways to Use Willow in the Garden (and Beyond) by Justine Burgess


Justine began working with willows as a basket weaver ten years ago; she had always been interested in gardening and then eight years ago she and her husband Alan founded West Wales Willows on ten acres of land in Gwernogle (two acres of which are devoted to willow). They hold the National Collection of Salix for Plant Heritage, currently the only one in the country. The nursery was visited by Frances Tophill for  one of the Gardener’s World Winter Special programmes at the end of 2023, and has also featured on ITV’s Coast and Country series.

The nursery will be open for the NGS on 22 June from 10am to 4pm, and will be open as part of the Tywi Valley Open Studios from 27 July to 4 August, running taster willow weaving workshops on 29 July. An Open Weekend 4-6 October, when the winter colours are already starting to show through, will focus on growing willow.

On to the ten ways to use willow:

No. 1 – Plant Willow for Pollinators. Willow is very early flowering, some varieties as early as late January and early February in a ‘normal’ year (this winter it was considerably earlier). Five years ago, the National Botanic Garden of Wales analysed the pollen content of spring honey, and found that it was made up of 80-85% willow pollen, showing just how important it is for bees. This would probably mostly have been the wild growing willow such as the goat willow – Salix caprea – and the crack willow – S. fragilis. Of the more decorative varieties, S. udensis ‘Sekka’ is a magnet for all sorts of insects including bees, wasps and even bluebottles! S. gracilistyla ‘Melanostachys’ has black catkins, and makes a very good-shaped shrub in the garden, reaching only 7ft after a number of years. S. gracilistyla ‘Mount Aso’ has bright pink catkins, and is also not huge.

No. 2 – Plant for Winter Colour. The winter colour of willow stems ranges from pale white through yellow and orange, green and brown, to purple and black. The purple-barked willow is Salix daphnoides, the black-barked willow is S. nigricans, and the orange-barked willow is often a form of S. alba ‘Britzensis’. It is also worth remembering that there are alpine willows, growing no more than 2 ft tall. Frost intensifies the stem colour of all willows.

No. 3 – Plant a Fedge. What’s a fedge? It’s a cross between a fence and a hedge. It is a decorative barrier, rather than a stock-proof one, created by planting willow stems in the shape of a lattice. To keep the fedge at a reasonable size, it is best to cut off all the current year’s growth once the leaves have fallen. S. nigricans, the black-barked willow, is stunning when planted in this way. 

No. 4 – Plant Something Bigger. This could be something like a willow dome, or a willow tunnel. To create stability, you need to plant the willow rods 12 inches into the ground. Willow doesn’t like competition, so in order to get it to grow strongly you need to use membrane; Justine has recently been experimenting with cardboard and wood chip to see how they will perform in place of membrane. Some people have used willow to create mini-domes to provide shelter from the sun in summer for chickens and for dogs. In Germany a willow cathedral has even been created. 

No. 5 – Use Willow Baskets. Willow stems , of course, are perfect for weaving baskets – and what could be better than collecting your own fruit and vegetables in baskets and trugs woven from your own willow!

No. 6 – Incorporate Willow Garden Structures. In the vegetable garden you can use willow to create supports for runner beans and sweet peas as well as mini-pumpkins. Willow also makes a great base for a wedding arch decorated with flowers and greenery. The only thing is that willow structures don’t last forever – four seasons is about the limit.

No. 7 – Make Willow Water. The bark of willow is packed full of growth hormones at the base of the stem when in growth. Take one-year-old willow stems, cut them into 1.5-inch chunks and cover them with water. Use about one-third willow to two-thirds water. The water will only last for one to two weeks before you have to make another batch, but it can be used as a replacement for hormone rooting powder. 

No. 8 – Chop and Drop (Ramial Woodchip). One- or two-year old willow wood, chipped, which breaks down really fast, is amazing for feeding fruit trees. It is also brilliant for making hot beds. You can use wild willow for this. The wood should be cut no later than May, because after that you won’t get much regrowth. The leaves from the wood can be dried, chopped, and then go into the compost bin.

No. 9 – Build a Dead Hedge. Dead hedges are great homes for insects and can serve as good temporary fences.

No. 10 – Make Something Fun! Willow is great for making sculptures – for example, a stag, a hare, even just a big ball.

Justine then took questions from the audience. She recommended Salix nigricans and S. triandra ‘Blacktop’ as the best black-stemmed willows. She confirmed that willows need quite a lot of sun – about 6 to 8 hours in the summer, so you shouldn’t plant them on the north side of a hedge. They also don’t like being next to established trees. They need a lot of water, although they don’t have to be in wet ground. They don’t like chalky ground, and love clay or clay on shale. Willow stems should be cut during the dormant season. As they dry, they lose one-third of their width. They should be allowed to dry for three to four months, then rehydrated. A bundle of 5-foot long willow lengths should be submersed under water for 5 days to fully rehydrate for weaving.

West Wales Willows run a variety of different courses, at Gwernogle, at Myddfai Community Hall, at Abergwili and at Denmark Farm Conservation Centre


Remember to browse the rest of the Cothi Gardeners’ website for other upcoming events, the Surplus to Requirements section and updates to Members’ Gardens. If you have any ideas for new content or would like to contribute a piece about your own garden, please contact cothigardeners@gmail.com.